Prince has sued YouTube and the Pirate Bay for copyright infringement. This is yet another example of how the U.S. Congress is forcing artists and copyright owners to do the Justice Department’s job for them and take on the biggest company in the world in court to get respect for their rights.
“Most content owners understand that we respect copyrights, we work every day to help them manage their content, and we are developing state-of-the-art tools to let them do that even better,” said YouTube chief counsel Zahavah Levine.”
This, of course, is the fallacy of equivocation as she left out the bit about how the copyrights got into YouTube’s grubby little paws in the first place. YouTube could filter, won’t filter. It would be very easy for YouTube to do what iTunes does–don’t use music (or any other copyrighted work) for which they don’t have a license.
And don’t forget that the leader of the Pirate Bay (a/k/a “co-defendant”) was recently honored with a speaking engagement (and honorarium?) at the Leland Stanford Junior Google Law School by Lester Lawrence Lessig III’s Fair Use Project (recipient of a significant grant from Google). These are the facts and they are undisputed.
But the biggest company in the world doesn’t have to bother with licensing from these little companies and most decidely from these even littler artists, you see. They can just take it, for in the words of Lester Lawrence Lessig III, “We’re bigger than them”. Which is why they’re down there with the Pirate Bay in the estimation of artists like Prince.
But Google, like Enron, is a public company and with public companies there are different spanks for different ranks. As I often say, Ken Lay must be looking down (or up) and shaking his head as it would appear that his biggest crime is that he just stole from the wrong people. The SEC clearly has zero interest in protecting artists from unbridled power. But why would they? God forbid that anyone in our government should think of massive copyright theft as a law enforcement problem.
Corynne McSherry of the Electronic Frontier Foundation summed it up recently: “Seattle and San Francisco don’t want to be told what to do by Hollywood.” Ah yes, as long as the big dogs are stealing from those funny Hollywood people, they can get away with it. As a songwriter friend of mine wrote “Americans are freedom loving people, and nothing says ‘freedom’ like getting away with it.” Well what about Minneapolis? Austin? Atlanta? Boston? Paris? London? Bangalore? Can they dare to tell Seattle and San Francisco what to do with their artists works?
You see, the thing about the Googles is that they want to get their hands on our work and they could pay for it, but they won’t pay for it. These people define the “can buy, won’t buy” crowd.
They don’t want us to own houses, they don’t want us to earn royalties and they don’t want us to marry their daughters. We’ve seen this movie before.
No dogs or actors (or musicians) allowed.
The Man 2.0.
I asked Dr. Eric Twit of Goggle what he thought about the Prince lawsuit. “Of course he’s suing them. He wouldn’t take getting stiffed by a mafia club owner, why should he take getting stiffed by this mob?” As usual, penetrating insights from Dr. Twit.
On reflection, I would imagine that Google actually does allow dogs into their center for the study of the arrested development complex a/k/a the “Googleplex” like most groovy Internet companies. It’s just the actors and musicians who have to stay out. And songwriters? Forget about it.
(I can’t help but notice that the name “Google” is nowhere to be seen in these responses to the many lawsuits against YouTube. No more chestbeating from the two Gulfstream family members?)