The Government’s Music Database: What Would Monk Do?

There is a fundamental difference between people with experience in the vagaries of copyright chain of title research and those who want their data served up in nice neat–very, very neat–packages.  So neat that you could eat your lunch off of those packages–one pea at a time arranged in a straight line, preferably.

Those who do not step on cracks have an especially difficult time understanding that song data is a dynamic process best left to the people who…well, who don’t mind the cracks.

Explaining this to our friends in the tech community is kind of like explaining the interpretation of a blood test to…well, to Monk.

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