According to Wired (“Don’t believe the hype: Article 13 is great news for YouTube“), YouTube is positioned to be a big winner due to the Article 13 requirement for “upload filters”. If you’re keeping your brackets for “Most Googlely Journalist” in the post-Article 13 March Madness spin, Wired gets the three point play on this […]
In a week of great news for copyright, Karyn Temple has been appointed Register of Copyrights (the head of the U.S. Copyright Office). via Must Read: @RobertBLevine_: Karyn Temple Appointed United States Register of Copyrights @CopyrightOffice — Artist Rights Watch
Save the Date! The awesome Miranda Muholland is speaking on artist rights at the UN’s World Intellectual Property Organization on April 5 in Geneva!
After all Google’s antics in Europe trying to stop Article 13, will the European Parliament investigate or lay down and take it?
Big Tech’s lobbyists organize rallies for surveillance capitalists in the ancient capitals of Europe “pulling the wires which control the public mind.”
Indie artists call on @Europarl_EN 2 to ‘Just Say’ #Yes2Copyright with Steph’s ReMix
When safe harbors for companies like YouTube were created 20 years ago, it was with the idea of providing a little latitude to reasonable people acting reasonably on the condition of being a neutral platform–for not creating an app for Room 101 where 2+2=5. Europe for Creators makes an important call on YouTube for equal time on the YouTube network.
As usual, Henry gives an extremely relevant and literate dissertation on the loss of humanity imposed on us by Big Brother’s youngest sibling, Mark Zuckerberg–the boy who wouldn’t grow up, but who instead created an app for Room 101.
“What no one tells you about Article 13” As we’ve read in recent reporting from Europe, Google’s Susan Wojcicki has been twisting arms among their “YouTubers” to put out videos not only opposing Article 13, but also using the Google party line. Now that’s starting to backfire because Ms Susan doesn’t really understand how this […]
“[Big Tech’s attempt] to buy critical voices in the channel that is relevant to the debate highlights the manipulative methods that have fueled or even generated parts of the protest.”
Music Technology Policy 
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