Please send a letter to Congress supporting artist pay for radio play!
Blake Morgan helped to launch the American Music Fairness Act today in Washington, DC and gives us his impressions.
[Editor Charlie sez: Our great allies Ted Deutch and Darrell Issa are introducing a law to guarantee the key object of the #IRespectMusic campaign–artist pay for radio play!] Reps. Deutch and Issa will be joined by legendary artists Dionne Warwick, Sam Moore, and others to introduce legislation to ensure music creators are fairly compensated when […]
Remember the Local Radio Freedom Act from last year? Well, they’re back with a new LRFA (pronounced “screw you”). This Congress can’t agree about much, but they can agree they want to keep screwing artists.
Chris Castle’s call to arms against Liberty Media and for artist airplay royalties.
SoundExchange’s CEO says it’s time radio starts paying all music creators fairly for their work. On Monday, a group of radio broadcasters penned a letter in support of the National Association of Broadcasters’ (NAB) push for deregulation of the $14 billion radio industry. Their letter was based on the NAB’s petition to the FCC this […]
Does the Music Modernization Act reduce mechanical royalties?
Emmanuel Legrand posted a very informative piece in his newsletter about a speech by Rep. Jerry Nadler at the so-called “Music Biz Association” Music Biz Entertainment & Technology Law Conference Series in New York. (Some of you may remember the “Music Biz Association” as NARM which is what it was called before it was taken over by […]
Congressmen Darryl Issa and Ted Deutch introduced the PROMOTE Act today, a bill that “grant[s] owners of copyright in sound recordings the exclusive right to prohibit the broadcast transmission of the sound recordings by means of terrestrial radio stations, and for other purposes.” The bi-partisan PROMOTE Act is great news and, as Congressman Issa said: […]
FPFP disrupts the antiquated legacy rules and plug the unintended consequences that has spawned seemingly endless litigation and commercial disruption. The new bill would establish a performance right and royalty for broadcast radio (with suitable protection for noncommercial stations), give guidance to courts that Congress recognizes that pre-72 recordings should attract a royalty like any other recording, and protect artists and producers for their share of statutory language while making a clear statement that nothing in the bill is intended to reduce payments to songwriters.