We’ve all heard rumors about how much is in the “inception to date” black box at the digital music services. The main reason that nobody knows is another example of the dismal drafting of the Music Modernization Act. Wouldn’t you think that if the class actions against Spotify gave the insiders the leverage to negotiate […]
[Editor Charlie sez: This post is a version of Chris Castle’s comment in the current Copyright Office rulemaking on the transparency of the MLC and originally appeared on The Trichordist.] By Chris Castle Just when you think you understand Title I of the Music Modernization Act, another toad runs out from under a rock. My nickname […]
[Editor Charlie sez: The U.S. Copyright Office is proposing many different ways to regulate The MLC, which is the government approved mechanical licensing collective under MMA authorized to collect and pay out “all streaming mechanicals for every song ever written or that ever may be written by any songwriter in the world that is exploited […]
The services want to codify their ability to change song titles to whatever they think works better for them. Shall we stop them?
BLANCHE Whoever you are…I have always depended on the kindness of strangers. From A Streetcar Named Desire, by Tennessee Williams From Highlights of Managing Change under the Music Modernization Act’s Mechanical Licensing Collective (footnotes omitted. A version of this article appears as How Will the Music Modernization Act’s Mechanical Licensing Collective Work? in 34 Entertainment […]