The Charlatan’s Bookends: The Inventor and WeWork
The Inventor and WeWork are two sides of the same coin–except the girl went to jail and the boy failed upward.
The Inventor and WeWork are two sides of the same coin–except the girl went to jail and the boy failed upward.
Every now and then we run into a great resource for artists, managers, labels toiling in the vineyard of the music business as currently constituted. The new Your Morning Coffee podcast is one of those, featuring Jay Gilbert and Mike Etchart and it’s highly recommended for your valuable time. You can get it on iTunes […]
With just days to go until Brexit at 11pm on Friday, January 31, there’s still uncertainty surrounding key areas for the music industry. As revealed in the latest issue of Music Week, the biggest issues for the sector once the transition period concludes at the end of the year include touring, employment restrictions on EU […]
[We’re thrilled to have a chance to publish an important Twitter thread by composer Kerry Muzzey that crystalizes a number of phenomena: How Kerry caught YouTube using Content ID as a tool to extend the period of time that they can profit from infringement (or the “piracy profit window”), how draining it is for indies […]
I commend to you the fantastic and detailed analysis of PledgeMusic’s open source financials created by Eilonwy’s emu (@myemuisemo) that is a real eye opener.
Editors note #1 – Over the last year, this blog has been reporting on Google’s apparent use of proxies in an attempt to intimidate members of the EU parliament into voting against the proposed EU Copyright Directive. The Copyright Directive requires social media platforms above a certain size to do more to counter copyright infringement […] […]
In this 20 Questions Sidebar, we look at the harsh reality of ever-declining streaming royalties.
The popular 20 Questions series is a favorite on MTP. We’re updating and consolidating the posts in a new series with some important sidebar topics.
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