When Do I Get Paid by The MLC?

Songwriters are beginning to realize that the government is forcing them to use The MLC, Inc. (financed by the streaming services) as their mechanical licensing collective for collecting and paying their mechanical royalties.  So now they are asking questions about when and how that payment is to be made, among other things. The over arching […]

Streaming and the Embarrassment of COVID Riches

We’re starting to see a narrative emerging from the digital music services in reaction to artists chafing under the misery of streaming royalties.  Streamers want lawmakers to focus attention on the allocation of current period revenue that they pay to creators and deflect attention from the company’s stock market valuation (or private company valuation).  That’s […]

Save the Date! January 14 at Noon CST, Zoom Panel with @musictechpolicy @northmusicgroup @sealeinthedeal for Independent Songwriters

I’m grateful to Texas Accountants and Lawyers for the Arts, Austin Texas Musicians and the Austin Music Foundation for hosting an information webinar next week on the impact of the new blanket mechanical license under the Music Modernization Act on independent songwriters. We will also cover the nuts and bolts of dealing with The MLC, […]

Happy New License Availability Date!

Should old acquaintance be forgot,and never brought to mind? Auld Lang Syne, by Robert Burns If you’ve gotten accustomed to regular mechanical royalty checks every month or quarter paid directly to you (or your publisher) by streaming services or for downloads like iTunes, fasten your seatbelt. You may have some surprises coming in this time […]

The CASE Act Passes Congress

If Senator Ron Wyden has learned anything from his efforts to use secret holds and trickery to scuttle the copyright small claims legislation, I hope he’s learned to beware of determined children. Particularly Grace. More on this to come, but I couldn’t be more pleased that the CASE Act passed the Congress and looks likely […]